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Main Theme : Sur Sagarika Part III
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Sur Sagarika P-III Cover & Index. Editor - Chetna Pathak, Santosh Pathak
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1) DR. PRABHA ATRE’S CONTRIBUTION TO MUSIC EDUCATION - Chetna Pathak
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2) MISRABANI : THE FORMULA OF INSTRUMENTAL FREEDOM - Santosh Kumar Pathak
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3) THE USE OF KAKU IN MUSIC: A CLASSICAL, AESTHETIC, AND PRACTICAL STUDY - Jaishri Mishra
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6.
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4) AESTHETIC DIMENSIONS OF COMPOSITIONS ACROSS VARIOUS TABLA GHARANAS: AN ANALYTICAL STUDY OF THEIR ARTISTIC EXPRESSION - PRIYESH KUMAR PANDEY
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7.
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5) THE ROLE OF PERFORMANCE VENUES IN INSTRUMENTAL MUSIC PRESENTATION: AN ACOUSTIC AND PERFORMATIVE PERSPECTIVE - ABHISHEK SHARMA
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6) MEDIEVAL PRABANDHA MUSIC - AKANKSHA, SANTOSH PATHAK
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7) TRANSFORMATIONS IN FILM MUSIC BROUGHT ABOUT BY TECHNOLOGICAL ADVANCEMENTS. - ANKIT NEGI
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10.
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8) DHRUPAD MUSIC EDUCATION AND WOMEN ARTISTS: HISTORICAL STRUGGLES AND MUSICAL CONTRIBUTIONS - ANUJ PRATAP SINGH, SANTOSH KUMAR PATHAK
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9) THE FORM, STRUCTURE, AND APPLICATION OF RAGA BASED LIGHT MUSIC - ANUSHKA DOGRA, SAURABH SOOD
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12.
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10) THE FEMININE PSYCHE IN THE KHAYAL COMPOSITIONS OF SWAR YOGINI DR. PRABHA ATRE - DEEPTI SHARMA
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11) TRANSFORMATIONS IN THE FIELD OF MUSIC EDUCATION (WITH SPECIAL REFERENCE TO THE POST-INDEPENDENCE PERIOD) - DEVASISH BANERJI
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12) AESTHETIC DIVERGENCE IN THE GAYAKI OF JAIPUR ATRAULI AND KIRANA GHARANAS: A COMPARATIVE STUDY - GAURI DEODATTA BODHANKAR, MRUDULA DADHE (JOSHI)
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13) ART AS A VEHICLE OF INTANGIBLE - GAURI GUPTA, SANTOSH PATHAK
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14) AESTHETICS & RASA EXPERIENCE IN THE APPRECIATION OF CLASSICAL MUSIC : A STUDY OF ARTISTS AND LISTENERS - HRIDDHIMA SINGH, SANTOSH KUMAR PATHAK
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15) THE SOCIAL AND EMOTIONAL REPRESENTATION OF WOMEN’S LIVES IN TRADITIONAL RITUAL SONGS OF EASTERN UTTAR PRADESH (PURVANCHAL): FROM SOHAR TO THE MARITAL HOME . - NIKITA RAI, CHETNA PATHAK
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16) RAGA, NADA, AND SPIRITUALITY: THE SPIRITUAL DIMENSIONS OF HINDUSTANI CLASSICAL MUSIC. - SHUBHAM SHARMA
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17) MAJOR TRADITIONS OF CLASSICAL MUSIC IN MADHYA PRADESH. - PIYUSH KUMAR PANDEY
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18) THE MULTIFACETED PERSONALITY OF PADMA VIBHUSHAN DR. PRABHA ATRE AS AN EDUCATIONIST: A STUDY. - NANDINI BAMETHA, SANTOSH KUMAR PATHAK
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19) INTEGRATION OF HINDUSTANI CLASSICAL MUSIC AND ARTIFICIAL INTELLIGENCE IN HIGHER EDUCATION: PROSPECTS AND CHALLENGES. - VANI SATHE
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20) INDIAN CLASSICAL MUSIC IN THE DIGITAL AGE: PRESERVATION, INNOVATION, AND GLOBAL DISSEMINATION. - SWAGAT KUMAR
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23.
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21) CONTEMPORARY RELEVANCE OF RAG-SAMAY IN HINDUSTANI MUSIC: RETHINKING TIME-THEORY THROUGH PRABHA ATRE’S PERSPECTIVE. - SUGNAN DANI
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24.
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22) GHARANA-SPECIFIC INTERPRETATIONS AND THE ADAPTABILITY OF SADARANG–ADARANG BANDISHES. - SHIVANI MIRAJKAR, SANTOSH PATHAK
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23) INDIAN CULTURE, EDUCATION, AND THE YOUNGER GENERATION IN THE DIGITAL ERA. - VINAYAK SHARMA B. VARSHA
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26.
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24) ART AS A VEHICLE OF INTANGIBLE ART. - PAYAL BHANDARI, SANTOSH PATHAK
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25) THE BI-MUSICAL VOICE AS A LIVING ARCHIVE: NAVIGATING IDENTITY AND INTERCULTURAL DIALOGUE THROUGH PUKAAR IN THE VOCAL TRADITIONS OF AJMER. - PRIYA SHARMA
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28.
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26) THE CONCEPT OF BEAUTY IN INDIAN AESTHETICS AND ITS MANIFESTATION IN INDIAN CLASSICAL MUSIC. - PRERNA PATIDAR, SANTOSH PATHAK
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27) THE CHANGING FORM OF THE DHOL. - RAJESH CHANDRA JOSHI, SANTOSH PATHAK
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30.
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28) DR. PRABHA ATRE AND THE TRADITION OF THE KIRANA GHARANA. - VIDYA DHOTE (BONDE)
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31.
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29) DR. PRABHA ATRE’S CONTRIBUTION TO SEMI-CLASSICAL MUSIC. - MS. RAGINI DEWALE, SANTOSH KUMAR PATHAK
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32.
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30) TEMPORAL AESTHETICS IN GWALIOR AND AGRA GHARAANAA-S: A COMPARATIVE STUDY. - SAI EISHWARY MAHASHABDE, SANTOSH PATHAK
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31) WHEN RAGA BECOMES ACTING: AN EXPLORATION OF CLASSICAL MUSIC AS AN EMBODIED LANGUAGE IN ACTOR TRAINING. - RENUKA DEVDUTT BODHANAKAR
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32) DR. PRABHA ATRE’S MUSICAL JOURNEY AND ARTISTIC CONTRIBUTION. - SOUMYA SHRIVASTAVA, SANTOSH KUMAR PATHAK
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35.
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33) ANALYSIS OF THE EMOTION-ENHANCING ELEMENTS IN THE SONGS COMPOSED AND SUNG BY SUDHIR PHADKE. - PREETI JOSHI MRUDULA JOSHI (DADHE)
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36.
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34) MUSICAL JOURNEY AND ARTISTIC CONTRIBUTION OF DR. PRABHA ATRE. - SHRADDHA SINGH SANTOSH KUMAR PATHAK
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35) DANCE COMPOSITION: A RESEARCH STUDY . - SHIVANGI YADAV DR. K. MADHAVI
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36) THE AESTHETICS OF GHAZAL PERFORMANCE: THE INFLUENCE OF THE QAWWALI STYLE AND AN ANALYSIS OF MUSICAL ELEMENTS. - POOJA PANDEY PUNETHA
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37) AN ANALYSIS OF INNOVATION IN TRADITION WITH RESPECT TO RARE COMPOSITIONAL FORMS PRACTICED IN THE GWALIOR GHARANA.- MITALI KATARNIKAR CHETNA PATHAK
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40.
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38) LIFE-CYCLE RITUALS AND SOCIAL HARMONY IN INDIAN FOLK SONGS. - VANITA DHURVE
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39) THE ROLE OF EMOTION IN THE PROMOTION AND DISSEMINATION OF INDIAN CLASSICAL MUSIC. - SHIPRA SARKAR
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42.
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40) ARTIFICIAL INTELLIGENCE IN CONTEMPORARY INDIAN MUSIC: PRODUCTION, HUMAN–AI COLLABORATION, CULTURAL . - RAHUL SANTOSH PATHAK
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43.
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41) RAGA TIME THEORY : CLASSICAL AND PSYCHOLOGICAL CONTEXT. - PURTI JAIN, SANTOSH KUMAR PATHAK
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42) Systematic Study of Odd-Even Mass Staggering and Pairing Effects Across the Nuclear Chart - Dr. Amita Dua
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46.
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43) "Bring back the books! A 5-step foolproof plan for students distanced from reading" — Balasaheb Kishanrao Yedke
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